Visual Methodologies: An Introduction to Working with Visual Materials has been the longest academic project I’ve worked on. The first edition came out in 2001 and the fifth is now out from Sage. Three years ago I wasn’t planning to write another edition, but I decided that working on it largely from home during various lockdowns and post-lockdowns caution would be a really useful exercise for catching up on things I hadn’t read but should have done – though I long ago gave up trying to be comprehensive.
The new edition of the book is re-organised. It now starts with the chapter on how to use the book (with thanks to the reviewer who suggested that that would be kind of logical… only took me twenty years to come to the same conclusion).
It’s then divided into four main sections. The first, contexts, gives an overview of different theoretical approaches to understanding visual culture and develops the criteria for what I call a ‘critical visual methodology’. The second section is on designing a research project using visual materials, and covers topics like research ethics, locating images to research, and referencing the visual materials you work with. The third part is the section on methods – there are nine chapters each discussing one method in depth, as well as distinct discussions of other related visual research methods (a new feature in this edition). The fourth section has just one chapter, on using visual images to engage non-academic audiences with the findings of a research project.
There’s one entirely new chapter – on research design – and the chapters on digital methods, making images as research data and engaging non-academic audiences have been completely rewritten. Several of the other chapters have been heavily revised and the rest refreshed, while the chapter on pyschoanalytic methods has been moved to the book’s website.
I’d like to thank the folk who contributed generous endorsements of the new edition. I do hope the book continues to be useful, as they suggest it will. This one really will have to be the final edition though – not least because the archive from which I’ve sourced all the front covers doesn’t seem to have any more appropriate photographs for me to use…