I just came across another take on the task of rendering digital imagery more material, more messy and more fallible. This is a photography project by Meggan Gould, reported by Wired magazine here. It’s volume 5 of a series of works called Surface Tension, and it’s simply called iPad.
What Meggan has done is wait for the screens of her family’s iPads to get all smeared and sticky with fingerprints, then scanned the screen and manipulated the image to remove the screen’s content. The result are images of what is usually completely invisible, and designed to be so, as Timo Arnell points out here: the touchscreen. The screen is made visible by the way that the images show only the traces of the taps and swipes of the fingers that have touched the screen: there’s no sign of the fingers themselves, or of the what the fingers were were getting the screen to show. No bodies and no content, these images are pure interface.
Except, of course, that they are themselves digital images, and there’s no sign on Meggan’s beautifully designed website that their viewers are in turn being invited to smear her images (and our screens). There’s an interesting double-play, then, in these images, in the way that they simultaneously challenge and reaffirm the immateriality of the touchscreen. Intriguing.